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Online Program

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Mozart Requiem
Mozart Ave Verum Corpus

A Suite of Choral Miniatures

 
GMChorale, Joseph D'Eugenio, Conductor and Artistic Director
Saecula Singers, Tom Brand and Rebecca Rosenbaum, Music Directors
Orchestra New England, James Sinclair, Music Director
Meredith Hansen, Caroline O'Dwyer, Albert Lee, Mark Womack, soloists 

 

Sunday | April 27, 2025 | 4:00pm 

Santo Fragilio Performing Arts Center at Middletown High School, Middletown, CT

 

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Concert Program

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A Suite of Choral Miniatures                                                                                                    Saecula Singers

 

Ave Verum Corpus, KV 618                                                                                         Chorus, Saecula Singers

 

Requiem, KV 626                                                                                           Soloists, Chorus, Saecula Singers

​Meredith Hansen, soprano
Caroline O'Dwyer, mezzo-soprano
Albert Lee, tenor
Mark Womack, baritone

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Program
Musicians

GMChorale and Guest Artists

SOPRANO

Carol Any

Rebecca Ballesteros

Susan Bird

Becky Bohy

Nancy Burton

Melissa Clark*

Deborah Crakes

Anita deMercado

Gail Deninger

Rhiannon Elliott

Louise Fauteux*

Laura Gladd-Ventres

Amy Hemenway

Claire Higham

Sarah Himmelstein

Dawn Hoffman

Pat Holloway

Nijole Janik

Cindy Kirkpatrick

Jennifer Lamson

Avery MacKellar-Nogueira

Kristen McKenna

Margie Mehler

Marta Mierney

Rita Parlante

Sandy Pavlowski

Deirdre Roberts

Sandra Stayner

Catherine Stover

Bobbi Teva+

ALTO

Rachel Abrams

Karen Arata

Marianne Beckmann

Joan Benedetto

Marcia Bliven+

Jane Bower

Melissa Cheyney

Carol Corliss

Emily Cornacchio

Elisa Currie

Kimberly Edwards

Mary Fraser

Stephanie Inglis

Joyce Kirkpatrick

Elaine Magrey

Vicki Marnin

Lorie Martin

Susan McAdoo

Kelly McDermott

Paula Messina

MaryAnn O'Bright

Mary-Lynn Radych

Christine Rogers

Nancy Schultz

Alexandra Taylor

Kathy Traester

Margaret Tyler*

Lisa Urso

Karen Zoccoli

*GMChorale Section Leaders

+GMChorale Section Representatives

TENOR

Hunter Bustamante

Dister "Roy" Deoss

Fran Ferral

James Harris+

Christopher Hart

Margaret Livengood

Joe Miller

David Morse

Michael O'Herron*

Rick Pugliese

Ram Tysoe

Adam Weinstein

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BASS

Michael Balinskas

Martin Benassi

Richard Browner

Jonathan Budd

Steven Christensen+

Bob Cyranowicz

David deMercado

Michael Doran

Victor Friedrich

Richard Holloway

David Hostage

Dan Martin

Aaron Medford

Scott Patrick

Adam Perrin

Stephen Peterson

Walter Ryan

Jack Sellati

James Smith

Gordon Turnbull

Section Leader Sponsors

Hero ($2,500 and up)

Dr. & Mrs. Adam E. Perrin

Janet Donston

 

Angel ($1,000 to $2,499)

Elisa Currie

Dan & Lorie Martin

Richard & Pat Holloway

Nancy Schultz

 

Champion ($500 to $999)

Carol Corliss

Walter & Lynn Ryan

 

Support ($250 to $499)

Karen Arata

Joseph D’Eugenio & Michael Lombardi in memory of Michael D’Eugenio

Gordon Turnbull in memory of

John Turnbull, Jr.

Adam Weinstein

Karen Zoccoli

 

Friend (up to $249)

Susan Bird

RIchard Browner

Michael Doran

James Harris

Kristen McKenna

Paula Messina in memory of Pat Vitali

Rita Parlante

Sandy Pavlowski

Bruce & Marcia Rebman

Christine Rogers

 

Those without separate designation

are made in honor of the section leaders

Saecula Singers

Tom Brand and Rebecca Rosenbaum,

Music Directors

​Emma Blair

Emily D’Souza

Alexis Ferreira

Eleanor Lee

RoriAnne McCarthy

Cyra Osler

Julianne Parke

Ria Richardson

Audrey Rivetta

Rebecca Rosenbaum

Cecilia Rosenbaum-Brand

Charles Rosenbaum-Brand

Jackson Rosenbaum-Brand

Adrianne Shields

Kaelin Vasseur

Orchestra New England

James Sinclair Music Director

Ann Drinan, Managing Director & Joseph Russo, Personnel

Violin 1

Raphael Ryger, concertmaster

Artemis Simerson

Michael Ferri

Cristofer Zunun

Krystyana Chelminski Czeiner

James Czeiner​

 

Violin 2

Gary Capozziello*

Martha Kayser

Millie Piekos

Lisa LaQuidara

Candy Lammers

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Viola

Marvin Warshaw*

Michael Wheeler

Kathy Peet

Annalisa Boerner

 

Cello

Eliot Bailen*

Tom Hudson

Becky Patterson

Mariusz Skula

 

Double Bass

Joseph Russo*

Edward Rozie

Basset Horn

Andy Grenci*

Nikki Pet

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Bassoon

T.D. Ellis*

Jackie Joyner

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Trumpet

Charles Bumcrot*

Rich Clymer

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Trombone

Scott Cranston*

Jordan Jacobson

Bill Whitaker

Timpani

Patrick Smith

 

Organ

Gary Chapman

*ONE Section Principal

Soloist Bios

Meet Our Featured Artists

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​Soprano Meredith Hansen, with degrees from the University of Connecticut and Boston University, has joined the roster of the Metropolitan Opera in productions of Carmen, Das Rheingold, and Götterdämmerung, as well as Prince Igor, Lady Macbeth of Mtsensk, and Cyrano. She has made numerous appearances with the Boston Symphony Orchestra (in Boston and Tanglewood and at Carnegie Hall), and has enjoyed engagements with other performing arts associations in the Boston area and across the country. Of special note to Connecticut opera lovers, she has performed with Opera Theater of Connecticut at the Sanibel Music Festival in Florida.

 

This season, in addition to being the soprano soloist for GMChorale’s performance of Mozart’s Requiem, she was the soprano soloist for both the Waterbury Symphony and the Hartford Chorale’s highly acclaimed performances of Handel’s Messiah and Bach’s Magnificat, and was the soprano soloist for the MIT Symphony Orchestra and MIT Concert Choir’s performance of Ralph Vaughan Williams’ A Sea Symphony.

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Dr. Caroline O’Dwyer is a mezzo-soprano from Connecticut with a passion for both performance and pedagogy. As an active concert soloist, Caroline has performed with numerous ensembles, including the New Haven Symphony Orchestra and Greater Middletown Chorale, the Eastern Connecticut Symphony Orchestra and Chorus, and the Waterbury Chorale, the Nutmeg Symphony Orchestra, the Eastman Philharmonia, the Cordancia Chamber Orchestra, the Warwick Symphony Orchestra, the Skidmore Orchestra, and the Park Church Chamber. Orchestra. On the operatic stage, Caroline debuted the role of Miriam "Ma" Ferguson in the world premiere of Douglas Buchanan's Sackler Award-winning opera, Bessie and Ma (University of Connecticut, 2019). Other roles include: Prince Charmant (Cendrillon), Catherine (Le Mariage aux lanternes), the Abbess (Suor Angelica), Cherubino (Le nozze di Figaro), Cousin Hebe (H.M.S. Pinafore), Hansel (Hansel and Gretel), and Prince Orlofsky (Die Fledermaus). Equally recognized for her sensitive interpretation of art song, in 2018, Caroline was a national semi-finalist for the prestigious NATS Artist Award. She holds degrees from the University of Connecticut (B.M. and D.M.A.) and the Eastman School of Music (M.M.), and has been an Artist/Teacher of classical voice at the University of Rhode Island since 2018. At URI, she is a three-time recipient of the University Artist Series grant, which supports innovative faculty performances. She has been a guest clinician and performer at Bowling Green State University (2024), and has served as a judge for the Rhode Island Civic Orchestra Vocal Competition and the Connecticut NATS Student auditions. Caroline also maintains a private voice studio and teaches yoga in Connecticut, where she resides with her husband, Steve and their cat, Harry. For more information, please visit www.carolineodwyer.com.

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Albert Lee (tenor) is a classically trained vocalist whose performances have been described as “vocally sumptuous,” “musically distinctive,” and “acrobatically agile.”  He has performed with the Cincinnati Opera, Opera Las Vegas, Opera Steamboat, Palm Beach Opera, and Philadelphia Orchestra. Most recently he appeared as soloist in Handel’s Messiah at Duke University Chapel, and also in R. Nathaniel Dett’s The Ordering of Moses with the New Haven Symphony Orchestra. He has recorded with the American Spiritual Ensemble and the Bach Choir of Pittsburgh and is a soloist on an Albany Records recording of George Walker’s Lilacs, for voice and orchestra (a musical setting of Walt Whitman’s “When Lilacs Last in the Dooryard Bloom’d,” an elegy to Abraham Lincoln). Also recently, he was a featured artist on Apple Music’s playlist “The Classical Voice,” singing settings by Monica Houghton of poems by Langston Hughes and Walt Whitman, from the compendium A Breath of Air.

 

Dr. Lee has delivered lectures throughout the United States on topics such as “American Art Song: Reframing and Reforming the Canon” and “The Musical Legacy of Langston Hughes and the Harlem Renaissance.” He serves as Associate Professor of Music and Associate Dean for Student Life and Community Engagement at the Yale School of Music. He earned a Bachelor of Music degree from the University of Connecticut, a Master of Music from The Juilliard School, and a Doctor of Music from Florida State University.

Critics have praised Mark Womack’s singing as “strikingly warm and gracefully honey toned.” His recent performances include the title role in Eugene Onegin and Fred Graham in Kiss Me Kate with Intermountain Opera Bozeman; Sharpless in Madama Butterfly with Opera Connecticut; Carmina Burana with the Utah, Fargo-Moorhead and Allentown Symphonies; The Verdi Requiem with The Las Cruces Symphony Orchestra; Vaughan Williams’ A Sea Symphony at Jorgensen Auditorium and the Chattanooga Symphony; Carl Magnus in A Little Night Music with Syracuse Opera; Marcello in La BoheÍ€me with Opera Birmingham; Danilo in The Merry Widow with The Northern Lights Music Festival; and Juan Peron in Evita with Opera North.

 

Mark is privileged to have performed both Marcello and Schaunard in the Tony Award-winning Broadway production of La BoheÍ€me, under the direction of Baz Luhrmann. Following its run at the Broadway Theater, he continued in the role of Marcello for the national tour at the Ahmanson Theater in Los Angeles. Other notable performances include Giorgio Germont in Knoxville Opera’s La Traviata, Macheath in The Threepenny Opera with Amarillo Opera, Sharpless in Madama Butterfly with Sarasota Opera, Guglielmo in Skylight Opera Theater’s CosiÍ€ fan Tutte, Henry Higgins in Opera North’s My Fair Lady, the title role in Don Giovanni with both Utah Festival Opera and Anchorage Opera, Friedrich Bhaer in Little Women with Syracuse Opera, Marcello in La BoheÍ€me and Enrico in Lucia di Lammermoor with Chattanooga Symphony and Opera, Escamillo in Carmen with Utah Festival Opera, Count Almaviva in Le Nozze di Figaro with Mississippi Opera, and Lescaut in Manon Lescaut with Dicapo Opera Theatre.

 

Mark has been baritone soloist at Carnegie Hall in the FaureÌ’ and DurufleÌ’ Requiems, the oratorio Dewi Sant by Arwell Hughes, Mozart’s C Minor Mass and Schubert’s Mass in G.

 

Mark is on voice faculty at The University of Hartford and The University of Connecticut School of Music, and formerly at the American Musical and Dramatic Academy in New York City.

Ensemble Bio

Artistic Leadership

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GMChorale

GMChorale has become one of New England’s finest and most engaging choruses since its founding in 1977 as The Greater Middletown Chorale. Today, the GMChorale is celebrated for its innovative symphonic choral presentations. Under the leadership of Joseph D'Eugenio, performs a wide range of choral repertoire, from beloved masterworks to newly commissioned pieces.  As the GMChorale enters its fifth decade, the organization is broadening its mission and the scope of its offerings to bring the power and beauty of choral music to people and communities across Connecticut. It is a core principle of the Chorale that the power of music is should be enjoyed for a lifetime.

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Joseph D'Eugenio (Artistic Director / Executive Director) has been bringing music to life across Southern New England for three decades as a conductor, artistic director, executive director, educator, pianist, organist, and coach for vocalists and conductors. He frequently conducts productions of major choral-orchestral masterworks, most often with GMChorale, New Haven Symphony Orchestra, Hartford Symphony Orchestra, and Orchestra New England. Performances include the oratorios of Handel, Haydn, Mendelssohn, and Carissimi; the masses of Bach, Haydn, Mozart, Schubert, and Bruckner; the requiems of Mozart, Duruflé, Brahms, Fauré, and Cherubini; newly-commissioned works; and music of all genres, styles, and periods. D’Eugenio has been Artistic Director of GMChorale since 1999. Under his leadership, the chorale has become known as one of New England’s finest choruses, awarded and celebrated for its creative choral presentations, commissioned works, and dynamic collaborations. In 2009, D’Eugenio was named Conductor of the Year by the Connecticut Chapter of ACDA. In demand as a guest conductor, clinician, and collaborative pianist, D’Eugenio has led various workshops and festivals, and has conducted choral groups in high schools, colleges, and universities across Connecticut, including as visiting instructor at Wesleyan University in Middletown. D’Eugenio has served as Director of Music and organist at First Congregational Church in Cheshire, Connecticut since 2003, where he directs the church’s vibrant music program and chancel choir. D’Eugenio earned the Bachelor of Music (cum laude) in piano performance from The Hartt School, University of Hartford, and the Master of Music in choral conducting from the University of Connecticut.

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Marcia Killian (Operations Manager) joined the GMChorale in January of 2025. She earned her B.A. in Mathematics/Computer Science from Providence College and an M.B.A. in from Quinnipiace University. Since 2014, Marcia has been the owner of The Foundry Music Company, a small independent sheet music shop that was located in the Audubon Arts district of New Haven from 1975 until the COVID-19 pandemic forced its closure in November of 2020. While Foundry Music no longer has a brick-and-mortar presence, it continues to operate online, and serves choirs and individual musicians from all over the country. Marcia has worked with the GMChorale for over 10 years, sourcing music for its performances and attending concerts as an enthusiastic fan.

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Eric Trudel is a native of Quebec City, Canada, and received his primary training at the Conservatoire du Quebec, where he graduated with the highest honors in piano, harmony, counterpoint, fugue, and musical analysis. Upon graduating he entered and became the sole winner of the Prix d'Europe Competition. He subsequently perfected his skills in conducting and chamber music in Vienna. His teaching appointments include Yale School of Music, Western Connecticut State University, the Hartt School of Music, Southern Connecticut State University, and Showa University (Japan)., He is the Director of Music at Congregation Mishkan Israel (Hamden CT) and First Congregational Church (Watertown, CT), and spends his summers teaching and performing at the American Institute of Music Studies (AIMS) in Graz, Austria. Eric has been a practitioner of the Alexander Technique for the past twenty years, and credits his teacher Rachel Bernsen with life changing discoveries.

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Saecula Singers

This all-gender youth choir (under directors Tom Brand and Rebecca Rosenbaum), is a program of Saecula Choir Foundation, whose aim is to transform lives through choral music. Through membership in Saecula Singers, talented youths of diverse backgrounds receive exceptional musical training and performance opportunities. In participating in the concert this April, they will gain the outstanding experience of collaborating with an adult mixed-voice choir, professional soloists, and orchestra. Their youthful, highly trained voices will enhance the overall musical quality of the production.

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Tom Brand (Saecula Singers) grew up singing in New Haven’s Trinity Boys Choir under Walden Moore and in the American Boychoir under James Litton.  He earned degrees in choral conducting at Yale University and is Music Director of the Saecula Choir Institute, Earthly Sound Vocal Ensemble, Saecula Women’s Choir, VocalJoy, and St. John’s Episcopal Church in Bridgeport, CT.

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Rebecca Rosenbaum (Saecula Singers) has conducted various ensembles of Elm City Girls’ Choir, Saecula Singers, and United Girls’ Choir, and also served as Director of Choral Activities at Vassar College, where she taught classes and conducted the Vassar Women’s Choir.  She also has taught at Yale University and Bay Path College, and has appeared as guest conductor and clinician for several regional choral festivals and music programs throughout the country. Rebecca earned a BA in music from Vassar College and her MM and DMA in choral conducting at Yale University.

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Orchestra New England

Orchestra New England (O.N.E.) is one of the most versatile and exciting orchestras in America. Since its founding in 1974, Orchestra New England has presented over 700 concerts with a passion for excellence, signature enthusiasm and innovation. Most of these performances were presented at Yale’s Battell Chapel, with other engagements taking place in concert halls throughout New England. From its 1974 debut performance of an unpublished work by Charles Ives to its almost 150 performances of Tchaikovsky's Nutcracker, O.N.E. continues to set the standard for outstanding performances of both familiar and neglected works. O.N.E. has made commercial recordings for many prestigious labels.

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James Sinclair (Orchestra New England) has served as the Music Director of Orchestra New England since its founding in 1974. His versatility in delivering superb performances in a variety of styles – from the Baroque to pops literature – drives the remarkable success of Orchestra New England.  James Sinclair is also among the world's pre-eminent scholars and champions of the music of Charles Ives. He is the Executive Editor for the Charles Ives Society,  supervising the work of Ives scholars throughout the United States. A native of Washington, DC, James Sinclair earned his bachelor's degree in music at Indiana University and taught at the University of Hawaii, where he earned his master's degree. He relocated to New Haven in 1972, where he served as an Assistant Professor and a Visiting Lecturer in Music at Yale University. Sinclair is an Associate Fellow of Berkeley College at Yale and oversees both the John Kirkpatrick Papers and the Charles Ives Papers at Yale.

Program Notes

​Program Notes

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A Suite of Choral Miniatures

 

The concert opens today with a suite of choral miniatures that relate thematically to W.A. Mozart’s Requiem. We journey back to the Medieval era with the plainchant “Requiem Aeternam,” rooted in the Missa Pro Defunctis tradition upon which Mozart later based his Requiem setting (as have many other composers over the centuries). We then leap to the Renaissance for Giovanni Pierluigi da Palestrina’s “Benedictus” from Missa Papae Marcelli, the best-known of his more than 100 Masses. From there we visit the 18th Century to hear J.S. Bach’s “Denn das Gesetz,” from Jesu, Meine Freude, the most musically complex of his motets. Departing the Baroque Era, we arrive at the year 1900, when Gabriel Faure completed revisions of his Requiem in D Minor, Op. 48, which includes the exquisite “Pie Jesu.” Finally, we tuck back into the Renaissance for O How Amiable Are Thy Dwellings, by the English composer Thomas Weelkes, known for sacred madrigals and anthems.

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Ave Verum Corpus, KV  618  ~ Wolfgang Amadeus Mozart (1756 - 1791)

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As prelude to Mozart’s Requiem, the program includes Mozart’s utterly sublime Ave Verum Corpus, a motet he wrote six months before his death as a favor to a choirmaster friend. Only 46 measures long, it has been described as heavenly, ethereal, otherworldly, luminous, translucent – and perfect.

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Requiem, KV 626 ~ Wolfgang Amadeus Mozart (1756 - 1791)

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​Which brings us finally to Mozart’s Requiem. It is well-known that Mozart was commissioned to write a requiem in the spring or summer of 1791. Occupied with other projects at the time (his operas La Clemenza di Tito and The Magic Flute), he did not begin work on the requiem until the fall. Unfortunately, it was not long before he fell ill, and by the first week of December he had lost the battle with death, leaving Requiem unfinished in spite of his best efforts. He was only 35.

 

Writing for voices had clearly been at the heart of his planning, as he had completed the voice parts for movements I, II, and IV, and nearly all of movement III, but had completed the orchestration for only the first movement. His widow, Constanze, was determined to see the work completed, and eventually the task was taken up by Mozart’s student Franz Xaver Süssmayr, who, it is believed, had been privy to Mozart’s vision and plans. How much of Requiem is Mozart? How much is Süssmayr? Mozartian scholars agree that it is impossible to know with any exactitude. How important is it really to know? Deservedly, Requiem continues to be a cherished masterwork of the classical canon.

Board

Board of Directors

Chris Hart, President
Carol Corliss, Vice President 

Walter Ryan, Treasurer

Nancy Schultz, Development 

Marjorie Mehler, Secretary

Lorie Martin, Alchemy Manager 

Michael Balinskas

Deborah Crakes
David deMercado

Michael Doran
Sandra Pavlowski
Deirdre Roberts

Steve Peterson

Supporters

Memoriam

In Memoriam

Elizabeth Alleman

Laura Guadalupe Andres-Ascensio

Jack Arata

Dr. James R. Barrante

Ralph & Velma Bodensteiner

Barbara L. Budd

Marilyn Bush

Margot Calder

Victor Cassella

Roland Cheyney

Mary Chiaramonte

Jacqueline M. Cleary

Joanne Coghill

John Coghill

John and Joanne Coghill

Tony DeMario

Cheryl Dickson

USCG BM2 Steven Duque

Edward and Virginia Fresolone

Friends & Musicians of the Martin Family

Friends and Musicians of the Thomas Family

My Mother Sheila Doreen Hardyman who taught me the joy of singing & passed 3/9/25, age 94

Dr. Edward Harris​​​

USCG Lt Jessica Hill

Howard Inglis

Mr. & Mrs. W.R. Kiely

John King

Nicholas Lesbines, beloved South Windsor High music director

Sabina & Stefan Lewicki

Claude Massé

Donna Merrill

Howard Merrill

Alvin O’Dell

Jennie O’Dell

Henry Pavlowski

Dr. Jane C.S. Perrin

Donald Mark Peterson

Angela Radych

Mr. & Mrs. William J. Ryan

Marian Smith

Thomas A. Smith

Margaret Utgoff

Pat Vitale

Donald Philip Whipple

Elizabeth White

Thomas and Amelia Zammataro​​

Honor

In Honor Of

Chancel Choir of First Congregational Church of Cheshire

Carol Corliss

Dylan Arthur Crakes

Joe D’Eugenio

Janet Donston

Nijole Janik

Marcia Killian​

My parents, Joe and Gerry Higham who started me on my

musical journey

Joyce Kirkpatrick

Bob and Joyce Kirkpatrick

Dr. Dustin Moore, UCONN School of Medicine, Class of 2025

Steve Pine

Walter Ryan

Donors

CONDUCTOR'S CIRCLE ($5,000 or more)

Anonymous*

Barbara & David Buddington*

Jeffrey & Sarah Buell+

Richard & Patricia Holloway*

Dan & Lorie Martin*

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LEADERSHIP CIRCLE ($3,000 to $4,999)

Deborah & Gary Crakes*

Joyce & Robert Kirkpatrick*

Margaret Livengood & Leslie Sosno*

Mark & Nancy Schultz*

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BENEFACTORS ($1,000 to $2,999)

Carol Any*

Karen Arata

Michael & Nancy Balinskas*

Jonathan S. Budd, Ph.D.

Carol Corliss

Elisa and Todd Currie+

Janet Donston*

Claire l. Higham

Paula & Ed Messina*

Dr. & Mrs. Adam E. Perrin*+

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PATRONS ($500 to $999)

Martin & Patience Benassi

Susan Bird

Dennis & Gail Deninger*

Susan & John Floreen

Victor Friedrich & Karen Otte

Dr. Michael & Heather Greenaway*

James & Jill Harris*

Robert & Elizabeth Kirkpatrick*

Michael Lombardi*

MaryAnn O’Bright

Bruce & Marcia Rebman*

Barbara & Kent Roberts

Walter & Lynn Ryan*

Walter & Lori Shephard*

Gordon & Marlene Turnbull*

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SPONSORS ($300 to $499)

Linda A. Baker

Bill & Joan Benedetto

Rebecca & David Bohy

Anita & David deMercado

David Edson & Deirdre Roberts*

Dale & Sophia Fuller*

Christopher Hart

Stephanie Inglis

Joseph & Nijole Janik

James & Jean O'Herron*

Sandy Pavlowski*

Mabel & Steve Peterson

Richard Pugliese*

Karen Zoccoli

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DONORS ($100 to $299)

Anonymous

Maxine Balinskas

Marianne Beckmann*

Sandy Brunelle & Randy McDaniel

Victor & Marilyn Cassella*

Alex & Melissa Cheyney

Steve Christensen

Marnie Clark

Melissa Clark

Randall & Cynthia Clegg*

Betsy A. Crosswell*

Mr. & Mrs. Samuel Crum, Jr.

Bob Cyranowicz*

Cheryl Czuba*

Dister Deoss

Kathy & Joe D'Eugenio*

Laurie Frenzel

Thomas & Evelyn Gezo

John & Elizabeth Hart

Mrs. Helen B. Hill

Dawn & Guy Hoffman*

Susan & David Hostage

Joanne Huelsman

Marcia Killian

Dr. & Mrs. David R. Langley

Elaine & Richard Lau

Vinnie Loffredo & Dora Glinn*

Vicki Marnin

Walter & Anne Mayo

Kristen McKenna

Margie Mehler

Lisa Nappi

Kathryn Nowell

Sandra L. Olson

Mary-Lynn Radych

Christine Rogers & Marc Croteau*

Melissa Rowe*

Jack & Robin Sellati

Mark Sheptoff Financial Planning LLC*

James Sinclair

Donna & C. William Stamm*

Sandy Stayner

Karla Steele

Catherine Stover

David & Patricia Taddei

Alexandra Utgoff Taylor*

Third Congregational Church

Cheryl & Larry Townsend*

Lewis & Kathy Traester*

Ursel's Web*

Cherry Watkinson*

Adam Weinstein

CONTRIBUTORS ($50 to $99)

Marlene Barrante*

Ed & Jane Bower

Gary & Ginger Brown

Richard Browner

Nancy Burton

Emily Cornacchio

Phil & Maria Gaudette*

Welles & Lillian Guilmartin*

Peggy Kilgore

Aunt Joan*

Josh & Sara Martinelli

Susan Ostuno

Rita Parlante

Charles & Mimi Rich, Jr.

Jean & Biff Shaw*

Bobbi Teva

Margaret Tyler

Daniel Zimmerman

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THOUGHTFUL GIFTS ($up to $49)

Louise Fauteux

Sara & Deane Felter

Laura Gladd-Ventres

Sarah Himmelstein

Judith Hughes

Nan Meneely

Tuija Mikkola

Kathleen Sedgwick

Melaine Butler Smigel

James Smith

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         * 10+ years of consecutive giving

         + Young Musician Initiative Founding Sponsor

​

​

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Funders

GMChorale Is Generously Funded By

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