
Online Program
Program with Text and Translations | Musicians | Soloist Bios | Ensemble and Leader Bios
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Mozart Requiem
Mozart Ave Verum Corpus
A Suite of Choral Miniatures
GMChorale, Joseph D'Eugenio, Conductor and Artistic Director
Saecula Singers, Tom Brand and Rebecca Rosenbaum, Music Directors
Orchestra New England, James Sinclair, Music Director
Meredith Hansen, Caroline O'Dwyer, Albert Lee, Mark Womack, soloists
Sunday | April 27, 2025 | 4:00pm
Santo Fragilio Performing Arts Center at Middletown High School, Middletown, CT
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Concert Program
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A Suite of Choral Miniatures Saecula Singers
Ave Verum Corpus, KV 618 Chorus, Saecula Singers
Requiem, KV 626 Soloists, Chorus, Saecula Singers
​Meredith Hansen, soprano
Caroline O'Dwyer, mezzo-soprano
Albert Lee, tenor
Mark Womack, baritone
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GMChorale and Guest Artists
SOPRANO
Carol Any
Rebecca Ballesteros
Susan Bird
Becky Bohy
Nancy Burton
Melissa Clark*
Deborah Crakes
Anita deMercado
Gail Deninger
Rhiannon Elliott
Louise Fauteux*
Laura Gladd-Ventres
Amy Hemenway
Claire Higham
Sarah Himmelstein
Dawn Hoffman
Pat Holloway
Nijole Janik
Cindy Kirkpatrick
Jennifer Lamson
Avery MacKellar-Nogueira
Kristen McKenna
Margie Mehler
Marta Mierney
Rita Parlante
Sandy Pavlowski
Deirdre Roberts
Sandra Stayner
Catherine Stover
Bobbi Teva+
ALTO
Rachel Abrams
Karen Arata
Marianne Beckmann
Joan Benedetto
Marcia Bliven+
Jane Bower
Melissa Cheyney
Carol Corliss
Emily Cornacchio
Elisa Currie
Kimberly Edwards
Mary Fraser
Stephanie Inglis
Joyce Kirkpatrick
Elaine Magrey
Vicki Marnin
Lorie Martin
Susan McAdoo
Kelly McDermott
Paula Messina
MaryAnn O'Bright
Mary-Lynn Radych
Christine Rogers
Nancy Schultz
Alexandra Taylor
Kathy Traester
Margaret Tyler*
Lisa Urso
Karen Zoccoli
*GMChorale Section Leaders
+GMChorale Section Representatives
TENOR
Hunter Bustamante
Dister "Roy" Deoss
Fran Ferral
James Harris+
Christopher Hart
Margaret Livengood
Joe Miller
David Morse
Michael O'Herron*
Rick Pugliese
Ram Tysoe
Adam Weinstein
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BASS
Michael Balinskas
Martin Benassi
Richard Browner
Jonathan Budd
Steven Christensen+
Bob Cyranowicz
David deMercado
Michael Doran
Victor Friedrich
Richard Holloway
David Hostage
Dan Martin
Aaron Medford
Scott Patrick
Adam Perrin
Stephen Peterson
Walter Ryan
Jack Sellati
James Smith
Gordon Turnbull
Section Leader Sponsors
Hero ($2,500 and up)
Dr. & Mrs. Adam E. Perrin
Janet Donston
Angel ($1,000 to $2,499)
Elisa Currie
Dan & Lorie Martin
Richard & Pat Holloway
Nancy Schultz
Champion ($500 to $999)
Carol Corliss
Walter & Lynn Ryan
Support ($250 to $499)
Karen Arata
Joseph D’Eugenio & Michael Lombardi in memory of Michael D’Eugenio
Gordon Turnbull in memory of
John Turnbull, Jr.
Adam Weinstein
Karen Zoccoli
Friend (up to $249)
Susan Bird
RIchard Browner
Michael Doran
James Harris
Kristen McKenna
Paula Messina in memory of Pat Vitali
Rita Parlante
Sandy Pavlowski
Bruce & Marcia Rebman
Christine Rogers
Those without separate designation
are made in honor of the section leaders
Saecula Singers
Tom Brand and Rebecca Rosenbaum,
Music Directors
​Emma Blair
Emily D’Souza
Alexis Ferreira
Eleanor Lee
RoriAnne McCarthy
Cyra Osler
Julianne Parke
Ria Richardson
Audrey Rivetta
Rebecca Rosenbaum
Cecilia Rosenbaum-Brand
Charles Rosenbaum-Brand
Jackson Rosenbaum-Brand
Adrianne Shields
Kaelin Vasseur
Orchestra New England
James Sinclair Music Director
Ann Drinan, Managing Director & Joseph Russo, Personnel
Violin 1
Raphael Ryger, concertmaster
Artemis Simerson
Michael Ferri
Cristofer Zunun
Krystyana Chelminski Czeiner
James Czeiner​
Violin 2
Gary Capozziello*
Martha Kayser
Millie Piekos
Lisa LaQuidara
Candy Lammers
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Viola
Marvin Warshaw*
Michael Wheeler
Kathy Peet
Annalisa Boerner
Cello
Eliot Bailen*
Tom Hudson
Becky Patterson
Mariusz Skula
Double Bass
Joseph Russo*
Edward Rozie
Basset Horn
Andy Grenci*
Nikki Pet
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Bassoon
T.D. Ellis*
Jackie Joyner
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Trumpet
Charles Bumcrot*
Rich Clymer
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Trombone
Scott Cranston*
Jordan Jacobson
Bill Whitaker
Timpani
Patrick Smith
Organ
Gary Chapman
*ONE Section Principal
Meet Our Featured Artists

​Soprano Meredith Hansen, with degrees from the University of Connecticut and Boston University, has joined the roster of the Metropolitan Opera in productions of Carmen, Das Rheingold, and Götterdämmerung, as well as Prince Igor, Lady Macbeth of Mtsensk, and Cyrano. She has made numerous appearances with the Boston Symphony Orchestra (in Boston and Tanglewood and at Carnegie Hall), and has enjoyed engagements with other performing arts associations in the Boston area and across the country. Of special note to Connecticut opera lovers, she has performed with Opera Theater of Connecticut at the Sanibel Music Festival in Florida.
This season, in addition to being the soprano soloist for GMChorale’s performance of Mozart’s Requiem, she was the soprano soloist for both the Waterbury Symphony and the Hartford Chorale’s highly acclaimed performances of Handel’s Messiah and Bach’s Magnificat, and was the soprano soloist for the MIT Symphony Orchestra and MIT Concert Choir’s performance of Ralph Vaughan Williams’ A Sea Symphony.

Dr. Caroline O’Dwyer is a mezzo-soprano from Connecticut with a passion for both performance and pedagogy. As an active concert soloist, Caroline has performed with numerous ensembles, including the New Haven Symphony Orchestra and Greater Middletown Chorale, the Eastern Connecticut Symphony Orchestra and Chorus, and the Waterbury Chorale, the Nutmeg Symphony Orchestra, the Eastman Philharmonia, the Cordancia Chamber Orchestra, the Warwick Symphony Orchestra, the Skidmore Orchestra, and the Park Church Chamber. Orchestra. On the operatic stage, Caroline debuted the role of Miriam "Ma" Ferguson in the world premiere of Douglas Buchanan's Sackler Award-winning opera, Bessie and Ma (University of Connecticut, 2019). Other roles include: Prince Charmant (Cendrillon), Catherine (Le Mariage aux lanternes), the Abbess (Suor Angelica), Cherubino (Le nozze di Figaro), Cousin Hebe (H.M.S. Pinafore), Hansel (Hansel and Gretel), and Prince Orlofsky (Die Fledermaus). Equally recognized for her sensitive interpretation of art song, in 2018, Caroline was a national semi-finalist for the prestigious NATS Artist Award. She holds degrees from the University of Connecticut (B.M. and D.M.A.) and the Eastman School of Music (M.M.), and has been an Artist/Teacher of classical voice at the University of Rhode Island since 2018. At URI, she is a three-time recipient of the University Artist Series grant, which supports innovative faculty performances. She has been a guest clinician and performer at Bowling Green State University (2024), and has served as a judge for the Rhode Island Civic Orchestra Vocal Competition and the Connecticut NATS Student auditions. Caroline also maintains a private voice studio and teaches yoga in Connecticut, where she resides with her husband, Steve and their cat, Harry. For more information, please visit www.carolineodwyer.com.

Albert Lee (tenor) is a classically trained vocalist whose performances have been described as “vocally sumptuous,” “musically distinctive,” and “acrobatically agile.” He has performed with the Cincinnati Opera, Opera Las Vegas, Opera Steamboat, Palm Beach Opera, and Philadelphia Orchestra. Most recently he appeared as soloist in Handel’s Messiah at Duke University Chapel, and also in R. Nathaniel Dett’s The Ordering of Moses with the New Haven Symphony Orchestra. He has recorded with the American Spiritual Ensemble and the Bach Choir of Pittsburgh and is a soloist on an Albany Records recording of George Walker’s Lilacs, for voice and orchestra (a musical setting of Walt Whitman’s “When Lilacs Last in the Dooryard Bloom’d,” an elegy to Abraham Lincoln). Also recently, he was a featured artist on Apple Music’s playlist “The Classical Voice,” singing settings by Monica Houghton of poems by Langston Hughes and Walt Whitman, from the compendium A Breath of Air.
Dr. Lee has delivered lectures throughout the United States on topics such as “American Art Song: Reframing and Reforming the Canon” and “The Musical Legacy of Langston Hughes and the Harlem Renaissance.” He serves as Associate Professor of Music and Associate Dean for Student Life and Community Engagement at the Yale School of Music. He earned a Bachelor of Music degree from the University of Connecticut, a Master of Music from The Juilliard School, and a Doctor of Music from Florida State University.

Critics have praised Mark Womack’s singing as “strikingly warm and gracefully honey toned.” His recent performances include the title role in Eugene Onegin and Fred Graham in Kiss Me Kate with Intermountain Opera Bozeman; Sharpless in Madama Butterfly with Opera Connecticut; Carmina Burana with the Utah, Fargo-Moorhead and Allentown Symphonies; The Verdi Requiem with The Las Cruces Symphony Orchestra; Vaughan Williams’ A Sea Symphony at Jorgensen Auditorium and the Chattanooga Symphony; Carl Magnus in A Little Night Music with Syracuse Opera; Marcello in La BoheÍ€me with Opera Birmingham; Danilo in The Merry Widow with The Northern Lights Music Festival; and Juan Peron in Evita with Opera North.
Mark is privileged to have performed both Marcello and Schaunard in the Tony Award-winning Broadway production of La BoheÍ€me, under the direction of Baz Luhrmann. Following its run at the Broadway Theater, he continued in the role of Marcello for the national tour at the Ahmanson Theater in Los Angeles. Other notable performances include Giorgio Germont in Knoxville Opera’s La Traviata, Macheath in The Threepenny Opera with Amarillo Opera, Sharpless in Madama Butterfly with Sarasota Opera, Guglielmo in Skylight Opera Theater’s CosiÍ€ fan Tutte, Henry Higgins in Opera North’s My Fair Lady, the title role in Don Giovanni with both Utah Festival Opera and Anchorage Opera, Friedrich Bhaer in Little Women with Syracuse Opera, Marcello in La BoheÍ€me and Enrico in Lucia di Lammermoor with Chattanooga Symphony and Opera, Escamillo in Carmen with Utah Festival Opera, Count Almaviva in Le Nozze di Figaro with Mississippi Opera, and Lescaut in Manon Lescaut with Dicapo Opera Theatre.
Mark has been baritone soloist at Carnegie Hall in the FaureÌ’ and DurufleÌ’ Requiems, the oratorio Dewi Sant by Arwell Hughes, Mozart’s C Minor Mass and Schubert’s Mass in G.
Mark is on voice faculty at The University of Hartford and The University of Connecticut School of Music, and formerly at the American Musical and Dramatic Academy in New York City.
Artistic Leadership
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GMChorale
GMChorale has become one of New England’s finest and most engaging choruses since its founding in 1977 as The Greater Middletown Chorale. Today, the GMChorale is celebrated for its innovative symphonic choral presentations. Under the leadership of Joseph D'Eugenio, performs a wide range of choral repertoire, from beloved masterworks to newly commissioned pieces. As the GMChorale enters its fifth decade, the organization is broadening its mission and the scope of its offerings to bring the power and beauty of choral music to people and communities across Connecticut. It is a core principle of the Chorale that the power of music is should be enjoyed for a lifetime.
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Joseph D'Eugenio (Artistic Director / Executive Director) has been bringing music to life across Southern New England for three decades as a conductor, artistic director, executive director, educator, pianist, organist, and coach for vocalists and conductors. He frequently conducts productions of major choral-orchestral masterworks, most often with GMChorale, New Haven Symphony Orchestra, Hartford Symphony Orchestra, and Orchestra New England. Performances include the oratorios of Handel, Haydn, Mendelssohn, and Carissimi; the masses of Bach, Haydn, Mozart, Schubert, and Bruckner; the requiems of Mozart, Duruflé, Brahms, Fauré, and Cherubini; newly-commissioned works; and music of all genres, styles, and periods. D’Eugenio has been Artistic Director of GMChorale since 1999. Under his leadership, the chorale has become known as one of New England’s finest choruses, awarded and celebrated for its creative choral presentations, commissioned works, and dynamic collaborations. In 2009, D’Eugenio was named Conductor of the Year by the Connecticut Chapter of ACDA. In demand as a guest conductor, clinician, and collaborative pianist, D’Eugenio has led various workshops and festivals, and has conducted choral groups in high schools, colleges, and universities across Connecticut, including as visiting instructor at Wesleyan University in Middletown. D’Eugenio has served as Director of Music and organist at First Congregational Church in Cheshire, Connecticut since 2003, where he directs the church’s vibrant music program and chancel choir. D’Eugenio earned the Bachelor of Music (cum laude) in piano performance from The Hartt School, University of Hartford, and the Master of Music in choral conducting from the University of Connecticut.
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Marcia Killian (Operations Manager) joined the GMChorale in January of 2025. She earned her B.A. in Mathematics/Computer Science from Providence College and an M.B.A. in from Quinnipiace University. Since 2014, Marcia has been the owner of The Foundry Music Company, a small independent sheet music shop that was located in the Audubon Arts district of New Haven from 1975 until the COVID-19 pandemic forced its closure in November of 2020. While Foundry Music no longer has a brick-and-mortar presence, it continues to operate online, and serves choirs and individual musicians from all over the country. Marcia has worked with the GMChorale for over 10 years, sourcing music for its performances and attending concerts as an enthusiastic fan.
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Saecula Singers
This all-gender youth choir (under directors Tom Brand and Rebecca Rosenbaum), is a program of Saecula Choir Foundation, whose aim is to transform lives through choral music. Through membership in Saecula Singers, talented youths of diverse backgrounds receive exceptional musical training and performance opportunities. In participating in the concert this April, they will gain the outstanding experience of collaborating with an adult mixed-voice choir, professional soloists, and orchestra. Their youthful, highly trained voices will enhance the overall musical quality of the production.
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Tom Brand (Saecula Singers) grew up singing in New Haven’s Trinity Boys Choir under Walden Moore and in the American Boychoir under James Litton. He earned degrees in choral conducting at Yale University and is Music Director of the Saecula Choir Institute, Earthly Sound Vocal Ensemble, Saecula Women’s Choir, VocalJoy, and St. John’s Episcopal Church in Bridgeport, CT.
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Rebecca Rosenbaum (Saecula Singers) has conducted various ensembles of Elm City Girls’ Choir, Saecula Singers, and United Girls’ Choir, and also served as Director of Choral Activities at Vassar College, where she taught classes and conducted the Vassar Women’s Choir. She also has taught at Yale University and Bay Path College, and has appeared as guest conductor and clinician for several regional choral festivals and music programs throughout the country. Rebecca earned a BA in music from Vassar College and her MM and DMA in choral conducting at Yale University.
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Orchestra New England
Orchestra New England (O.N.E.) is one of the most versatile and exciting orchestras in America. Since its founding in 1974, Orchestra New England has presented over 700 concerts with a passion for excellence, signature enthusiasm and innovation. Most of these performances were presented at Yale’s Battell Chapel, with other engagements taking place in concert halls throughout New England. From its 1974 debut performance of an unpublished work by Charles Ives to its almost 150 performances of Tchaikovsky's Nutcracker, O.N.E. continues to set the standard for outstanding performances of both familiar and neglected works. O.N.E. has made commercial recordings for many prestigious labels.
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James Sinclair (Orchestra New England) has served as the Music Director of Orchestra New England since its founding in 1974. His versatility in delivering superb performances in a variety of styles – from the Baroque to pops literature – drives the remarkable success of Orchestra New England. James Sinclair is also among the world's pre-eminent scholars and champions of the music of Charles Ives. He is the Executive Editor for the Charles Ives Society, supervising the work of Ives scholars throughout the United States. A native of Washington, DC, James Sinclair earned his bachelor's degree in music at Indiana University and taught at the University of Hawaii, where he earned his master's degree. He relocated to New Haven in 1972, where he served as an Assistant Professor and a Visiting Lecturer in Music at Yale University. Sinclair is an Associate Fellow of Berkeley College at Yale and oversees both the John Kirkpatrick Papers and the Charles Ives Papers at Yale.
​Program Notes
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A Suite of Choral Miniatures
The concert opens today with a suite of choral miniatures that relate thematically to W.A. Mozart’s Requiem. We journey back to the Medieval era with the plainchant “Requiem Aeternam,” rooted in the Missa Pro Defunctis tradition upon which Mozart later based his Requiem setting (as have many other composers over the centuries). We then leap to the Renaissance for Giovanni Pierluigi da Palestrina’s “Benedictus” from Missa Papae Marcelli, the best-known of his more than 100 Masses. From there we visit the 18th Century to hear J.S. Bach’s “Denn das Gesetz,” from Jesu, Meine Freude, the most musically complex of his motets. Departing the Baroque Era, we arrive at the year 1900, when Gabriel Faure completed revisions of his Requiem in D Minor, Op. 48, which includes the exquisite “Pie Jesu.” Finally, we tuck back into the Renaissance for O How Amiable Are Thy Dwellings, by the English composer Thomas Weelkes, known for sacred madrigals and anthems.
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Ave Verum Corpus, KV 618 ~ Wolfgang Amadeus Mozart (1756 - 1791)
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As prelude to Mozart’s Requiem, the program includes Mozart’s utterly sublime Ave Verum Corpus, a motet he wrote six months before his death as a favor to a choirmaster friend. Only 46 measures long, it has been described as heavenly, ethereal, otherworldly, luminous, translucent – and perfect.
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Requiem, KV 626 ~ Wolfgang Amadeus Mozart (1756 - 1791)
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​Which brings us finally to Mozart’s Requiem. It is well-known that Mozart was commissioned to write a requiem in the spring or summer of 1791. Occupied with other projects at the time (his operas La Clemenza di Tito and The Magic Flute), he did not begin work on the requiem until the fall. Unfortunately, it was not long before he fell ill, and by the first week of December he had lost the battle with death, leaving Requiem unfinished in spite of his best efforts. He was only 35.
Writing for voices had clearly been at the heart of his planning, as he had completed the voice parts for movements I, II, and IV, and nearly all of movement III, but had completed the orchestration for only the first movement. His widow, Constanze, was determined to see the work completed, and eventually the task was taken up by Mozart’s student Franz Xaver Süssmayr, who, it is believed, had been privy to Mozart’s vision and plans. How much of Requiem is Mozart? How much is Süssmayr? Mozartian scholars agree that it is impossible to know with any exactitude. How important is it really to know? Deservedly, Requiem continues to be a cherished masterwork of the classical canon.
Board of Directors
Chris Hart, President
Carol Corliss, Vice President
Walter Ryan, Treasurer
Nancy Schultz, Development
Marjorie Mehler, Secretary
Lorie Martin, Alchemy Manager
Michael Balinskas
Deborah Crakes
David deMercado
Michael Doran
Sandra Pavlowski
Deirdre Roberts
Steve Peterson
Supporters
In Memoriam
Elizabeth Alleman
Laura Guadalupe Andres-Ascensio
Jack Arata
Dr. James R. Barrante
Ralph & Velma Bodensteiner
Barbara L. Budd
Marilyn Bush
Margot Calder
Victor Cassella
Roland Cheyney
Mary Chiaramonte
Jacqueline M. Cleary
Joanne Coghill
John Coghill
John and Joanne Coghill
Tony DeMario
Cheryl Dickson
USCG BM2 Steven Duque
Edward and Virginia Fresolone
Friends & Musicians of the Martin Family
Friends and Musicians of the Thomas Family
My Mother Sheila Doreen Hardyman who taught me the joy of singing & passed 3/9/25, age 94
Dr. Edward Harris​​​
USCG Lt Jessica Hill
Howard Inglis
Mr. & Mrs. W.R. Kiely
John King
Nicholas Lesbines, beloved South Windsor High music director
Sabina & Stefan Lewicki
Claude Massé
Donna Merrill
Howard Merrill
Alvin O’Dell
Jennie O’Dell
Henry Pavlowski
Dr. Jane C.S. Perrin
Donald Mark Peterson
Angela Radych
Mr. & Mrs. William J. Ryan
Marian Smith
Thomas A. Smith
Margaret Utgoff
Pat Vitale
Donald Philip Whipple
Elizabeth White
Thomas and Amelia Zammataro​​
In Honor Of
Chancel Choir of First Congregational Church of Cheshire
Carol Corliss
Dylan Arthur Crakes
Joe D’Eugenio
Janet Donston
Nijole Janik
Marcia Killian​
My parents, Joe and Gerry Higham who started me on my
musical journey
Joyce Kirkpatrick
Bob and Joyce Kirkpatrick
Dr. Dustin Moore, UCONN School of Medicine, Class of 2025
Steve Pine
Walter Ryan
CONDUCTOR'S CIRCLE ($5,000 or more)
Anonymous*
Barbara & David Buddington*
Jeffrey & Sarah Buell+
Richard & Patricia Holloway*
Dan & Lorie Martin*
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LEADERSHIP CIRCLE ($3,000 to $4,999)
Deborah & Gary Crakes*
Joyce & Robert Kirkpatrick*
Margaret Livengood & Leslie Sosno*
Mark & Nancy Schultz*
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BENEFACTORS ($1,000 to $2,999)
Carol Any*
Karen Arata
Michael & Nancy Balinskas*
Jonathan S. Budd, Ph.D.
Carol Corliss
Elisa and Todd Currie+
Janet Donston*
Claire l. Higham
Paula & Ed Messina*
Dr. & Mrs. Adam E. Perrin*+
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PATRONS ($500 to $999)
Martin & Patience Benassi
Susan Bird
Dennis & Gail Deninger*
Susan & John Floreen
Victor Friedrich & Karen Otte
Dr. Michael & Heather Greenaway*
James & Jill Harris*
Robert & Elizabeth Kirkpatrick*
Michael Lombardi*
MaryAnn O’Bright
Bruce & Marcia Rebman*
Barbara & Kent Roberts
Walter & Lynn Ryan*
Walter & Lori Shephard*
Gordon & Marlene Turnbull*
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SPONSORS ($300 to $499)
Linda A. Baker
Bill & Joan Benedetto
Rebecca & David Bohy
Anita & David deMercado
David Edson & Deirdre Roberts*
Dale & Sophia Fuller*
Christopher Hart
Stephanie Inglis
Joseph & Nijole Janik
James & Jean O'Herron*
Sandy Pavlowski*
Mabel & Steve Peterson
Richard Pugliese*
Karen Zoccoli
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DONORS ($100 to $299)
Anonymous
Maxine Balinskas
Marianne Beckmann*
Sandy Brunelle & Randy McDaniel
Victor & Marilyn Cassella*
Alex & Melissa Cheyney
Steve Christensen
Marnie Clark
Melissa Clark
Randall & Cynthia Clegg*
Betsy A. Crosswell*
Mr. & Mrs. Samuel Crum, Jr.
Bob Cyranowicz*
Cheryl Czuba*
Dister Deoss
Kathy & Joe D'Eugenio*
Laurie Frenzel
Thomas & Evelyn Gezo
John & Elizabeth Hart
Mrs. Helen B. Hill
Dawn & Guy Hoffman*
Susan & David Hostage
Joanne Huelsman
Marcia Killian
Dr. & Mrs. David R. Langley
Elaine & Richard Lau
Vinnie Loffredo & Dora Glinn*
Vicki Marnin
Walter & Anne Mayo
Kristen McKenna
Margie Mehler
Lisa Nappi
Kathryn Nowell
Sandra L. Olson
Mary-Lynn Radych
Christine Rogers & Marc Croteau*
Melissa Rowe*
Jack & Robin Sellati
Mark Sheptoff Financial Planning LLC*
James Sinclair
Donna & C. William Stamm*
Sandy Stayner
Karla Steele
Catherine Stover
David & Patricia Taddei
Alexandra Utgoff Taylor*
Third Congregational Church
Cheryl & Larry Townsend*
Lewis & Kathy Traester*
Ursel's Web*
Cherry Watkinson*
Adam Weinstein
CONTRIBUTORS ($50 to $99)
Marlene Barrante*
Ed & Jane Bower
Gary & Ginger Brown
Richard Browner
Nancy Burton
Emily Cornacchio
Phil & Maria Gaudette*
Welles & Lillian Guilmartin*
Peggy Kilgore
Aunt Joan*
Josh & Sara Martinelli
Susan Ostuno
Rita Parlante
Charles & Mimi Rich, Jr.
Jean & Biff Shaw*
Bobbi Teva
Margaret Tyler
Daniel Zimmerman
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THOUGHTFUL GIFTS ($up to $49)
Louise Fauteux
Sara & Deane Felter
Laura Gladd-Ventres
Sarah Himmelstein
Judith Hughes
Nan Meneely
Tuija Mikkola
Kathleen Sedgwick
Melaine Butler Smigel
James Smith
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* 10+ years of consecutive giving
+ Young Musician Initiative Founding Sponsor
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GMChorale Is Generously Funded By


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